- Jerry Douglas, GAY CHICAGO MAGAZINE -
"Two major stars emerge from the latest Sarava-Blue Dolphin production, Hangar, shot on location in Eastern Europe. One is a thick-dicked, gym-built, versatile sex pony Igor Viard, and he is sensational. The other star of the production is director Tom Bradford, whose work gets more ambitious and more impressive each time out. Hangar is certainly his most fully realized production, a superb mixture of suspenseful narrative and constantly incendiary sexplay.
Set in the Ukraine, Hangar tells the tale of smuggled computer discs that will provide entry to all of the major banks of the world. Each disc is brought into the country hidden in the cockpit of an incoming plane, and much of the action is set in a Kiev Airpot hangar. The place is filled with big, butch mechanics, and none is more alluring than Viard, who is at the center of the skullduggery. The police, however, have gotten wind of the scheme and decide to send in a pair of their own overworked agents to pose as mechanic trainees and discover how the discs are passed.
The first sex scene is set in a warehouse that is headquarters for the undercover cops. At first, the weary agents (Igor Gregorovich and Tamas Esterhazy, both well-toned brunets) are not eager to take the assignment, but after the top cop (blond Peter Tomanek, a longtime veteran from the first wave of porn to come out of Eastern Europe) suggests a little R&R, and his assistant (the enticing Jeremy Shelton) urges them on, all dive into one of the hottest scenes Bradford has ever devised. Pulsating with a passion and sexual aggressiveness, each of the four somehow manages to keep his mouth, hands, cock and asshole busy at all times. Everyone's airborne, uncut cock and unshaved asshole is orally serviced at one time or another by everyone else, and the anal action, a cyclone of different positions, rhythms and noisy groans, finds Tomanek and Shelton carrying the lion's share of topman duties and Esterhazy readily bottoming for the three others. Tomanek and Shelton bring each other off by hand, and the other two take care of themselves before the fadeout, which seems to occur much too soon.
As the two agents infiltrate the work force at the hangar, elsewhere, a group of bad guy computer whizzes (blond Ron Parker, tattooed Daniel Kilmer and tall brunet newcomer Pavel Nemec) struggle to break the security coding of the latest disc. Like the cops, they are also weary and overworked, and like the cops, they decide to take an R&R break. As an overhead fan casts rippling shadows over their rippling muscles, the super-macho trio hurtles into a hurricane of sex, the eye of which is the ever-dependable Kilmer, who drives the scene with his uninhibited sucking and ass-eating. The anal action begins with a train fuck (Nemec into Kilmer into Parker) and spins through any number of inventive positions in which Kilmer reveals his usual unbridled versatility, Parker proves to be an intense power bottom, and Nemec instantly establishes his credentials as a topnotch top-man. All remain hard throughout, and each whips off a stormy money shot.
Meanwhile, back at the hangar, undercover Esterhazy is invited to join the mechanics after work at a local boxing gym. There he asks a few discreet questions, learns that Viard is the only one allowed in the cockpit of incoming planes and soon realizes that two of the other workers (tall, lanky Felice Felder and an astonishingly adept newcomer, Gabor Bacso) are coming onto him. Soon the gloves are off, and they are kissing, caressing and groping right there in the ring. The long-tradey Felder has, in recent films, developed quite a gift for mansex, and Esterhazy delivers another torrid bottom-man turn. But it is Bacso who steals focus, first as one of the few Eastern European deep-throatists and then as a totally versatile analist. The relentlessly arousing action is filled with kissing, rimming, ingeniously choreographed fucking and messy money shots.
When the cops learn that Viard has a thing for well-built bodybuilders, they send in another "mechanic trainee" (the well-pumped Roberto Giorgio), and indeed Viard is turned on, inviting him to dinner the night of his first day on the job. This does not set well with Viard's former lover (Attila Rajnay, a veritable mountain of muscles), who later attempts to rekindle their romance. They start to go at it in a corner of the gym and are soon joined by another muscleman (floppy-haired brunet Pavel Nemec) for another sweat-soaked three-way. Viard is an insatiable sex dog, passionately kissing, skillfully sucking and ravenously rimming both the others, who reciprocate in kind. Big, butch Rajnay turns out to be mostly a big, butch bottom; Viard repeatedly demonstrates his passive-aggressive skills; and Nemec fucks them both in myriad configurations. The money shots are awesome too, especially Rajnay's five-spurter.
The computer guys eventually break the code, and Kilmer delivers the disc to their airport connection, a supervisor (salt-and-pepper-haired Zoltan Erdey) who will pass it on to Viard. But industrial espionage, no matter how urgent, can wait for a bit of a celebration that also includes Erdey's assistant (skinhead Steve Toth). All three are superb kissers, rimmers and head-givers (Erdey and Toth also being deep-throating rarities), but the largest part of the scene is devoted to fucking on a large wooden crate. There Kilmer and Toth takes turns fucking each other, and Erdey fucks them both. Their pop shot puddles are notable too.
Hangar ends with the big date between Viard and Giorgio, who stroll into the former's candle-lit bedroom. There they sprawl on the filigreed, wrought-iron bed for flirtatious small talk, in the midst of which Viard gets a phone call telling him that the disc has been decoded, that he must stash it on a plane the next day and that soon he will be rich beyond his wildest dreams. Declaring this to be the best day of his life, Viard (whose acting chops are every bit as impressive as his sexual feats) cautiously eases into a wave of tender kissing that soon escalates into throbbing, palpable passion. Before long, both are down to their bulging white briefs and are soaring from dry-humping to mutual sucking and rimming. Now one is on top, now the other in a dizzying, multipositioned flip-flop fuck. Part sex scene, part love scene, the sequence sizzles from start to finish. Finally, a neat plot tie-up back at the hangar brings this 2-1/2 hour epic to its conclusion.
Hangar is the best foreign film of the year thus far, and the DVD release includes one of the best "Making of" documentaries we have seen in some time. In it, the rehearsal process and the two-camera shoot are neatly detailed, Parker and Rajnay out themselves, and director Bradford declares that his entire cast is gay. Hangar is one for the permanent collection. "
- Joe Shaver, ADULT DVD TALK -
" Hangar is yet more proof that they are really hung in Hungary. In this lavish production from director Tom Bradford, whose previous films released by Kristen Bjorn were Ambassadors of the Ice and Legion of Vengance, this outstanding director has come up with a film worthy of Bjorn himself. The plot centers around computer discs containing the codes for all the world banks, which the Russian mafia is smuggling in airplanes. The head mechanic of a hangar in the Ukraine picks them up and delivers them to a group attempting to decode them. The mechanic is played by Igor Viard, a handsome stud with a lightly-haired chest. Tamas Eszterhazy, a sexual dynamo, and Roberto Giorgio, a hunk of hunks, are the undercover cops sent to infiltrate the mechanics to find out who is doing it and when the next drop will take place.
The first sexual encounter takes place in a warehouse in front of boxes of Chiquita bananas as the cops discuss their strategy. To relieve their tension, Tamas and the cops engage in a four-man orgy. Everyones mouth is available for sucking; everyones ass is available for entry with Tamas in particular demonstrating some superb bottoming ability. Its a sensational scene that sets the tone for the equally hot sex to follow.
This occurs when we meet criminal decoders: Rob Parker, Daniel Kilmer, and Pavel Nemec. Frustrated at not being able to break the code of the disc they are working on, they decide to take a break from the computers and play around a bit. Parker, a burly blond, looks more like a performer in one of the Titan epics rather than one of the Euro spectacles so it is surprising to see him be such a demanding bottom. However its Kilmer who becomes lucky Pierre as Nemec enters him while he is fucking Parker. Needless to say, a good time is had by all.
Tamas has successfully infiltrated the mechanics and is sparing with the guys in some after-work boxing. Tamas questions them about the boss, Igor. In asking Tamas if his interested in Igor he is told that Igor only goes for muscle guys. However, the fabulous Fabrice Felder tells Tamas there IS someone who fancies him. With that revelation Fabrice looks down at the bulge in his shorts to reveal to Tamas just who that someone is. Tamas finds Fabrice to be quite fanciful also and they are soon locked together at the lips. Gabor Bosco, a cute young stud who has been observing, is drawn irresistibly into the action. Once again we have a scintillating threesome with Gabor gobbling cocks down to the base, fucking and getting fuckedand, of course, Tamas giving up his ass in the service of his country. Yet when the sacrifice is to a gorgeous stud like Fabrice, its a pleasure to serve!
When Tamas reports back that Igor has a thing for muscle guys, Roberto is sent in. Igors attraction to this new arrival stirs jealousy in one of his earlier conqueststhe super-built Attila Rajnay. We've often heard the expression built like a brick shithouse. Well, Attila is built like one. What a hunk! And what a delight in the Making of in the extras section when he reveals he isnt just gay-for-pay! (The director tells us all the performers are gay, but Attila admits it freely. How can I get to Hungary?) Attila reminds Igor of the fun they had together by getting it on with him right there and then. Andas in the scene previouslyits too good for an onlookerin this case, the stunning David Barthorynot to join the fun. (This sterling trio is featured on the cover.) Barthory will deliver a scorching fuck to the muscle stud before the scene is over.
Wouldnt you know it? The bad guys break the code on the first disc and the big boss, Zoltan Erdey, his assistant Steve Toth and Daniel celebrate with a general suck-n-fuck. Zoltan is a mature hunk with gray in his hair; Steve has no hair at all. Daniel and Steve fuck one another; Zoltan fucks both.
The final scene is between Igor and Roberto. They have just finished the dinner Igor has prepared and have now retired to the bedroom for dessert. Roberto is the best known of all the performers and for a very good reason: he is built, he is gorgeous, he is versatile. Its a romantic scene. Igor has prepared it well with candelabra strategically placed. They are interrupted only by a phone callwhich Roberto overhearstelling Igor the next drop will occur in the hangar tomorrow at two. Naked on the bed, they make love. Not only does Roberto fuck Igor, but Igor also fucks Roberto. As it watched them I realized that one can have threesomes, foursomes, even orgies; but the hottest sex occurs with just two guys. Two guys who are hot and into one another. Igor and Roberto are. We were made to anticipate this scene and it does not disappoint.
When their lovemaking is over (I will not refer to their encounter as just fucking) Roberto informs the cops of the meeting at two. Arrests are duly made. When Roberto snaps the cuffs on Igor, my heart goes out to the lovesick guy. When are we all not fools for love?
With a strong plot, fifteen guys-to-die-for, six super sex scenes, excellent photography and editing, nice unobtrusive music, and a running time of two and a half hours Hangar is Bradford's best film to date. Kristen Bjorn has done both himself and the viewers a favor in making it available. "
Rating: 5 stars