Review 1 "International director Lucas Kazan takes us on another stunning foray into the Italian countryside with OUT IN TUSCANY. Helmed with phenomenal vision, lush photography and truly the most beautiful men alive, this picture show is one of the special ones. The men are not just Italian farmboys. Instead, Kazan has searched further for his cast, bringing in Russians (including Slava Petrovich from last year's "Moscow") as well. The payoff for the diligence shows in every frame of this epic, truly a highlight to the Kazan and Kristen Bjorn cannons.
The story starts off in picturesque Tuscany, among the winding alleyways of the old city. The story's star, indescribably handsome Federico Bulsara, ambles down the streets alone. This slab of perfection is very muscular, phenomenally toned, with sprawling pecs, deep brown eyes, a boyish but passionate face, and an uncut dick that pops way out of his little cut-off jeans. He ends up cruising Vilem Cage on the street, but after merely some exchanged looks, Federico trots off to the glamorous countryside, where he finds a stray picnic basket full of food and wine. It's the entranceway to Alice's Wonderland of perfect-looking sex, for both him and us. Of course, he helps himself, but we soon see the owners of this food, hoe-in-hand farmers Sasha Byazrov and Erik Lenn. The latter is lean hunk with a hanky on his head, and in any other scene would be the highlight of the show, but unfortunately he has to contend with two of the picture show's three hottest men, Federico and Sasha Byazrov, a full-haired dark Russian sexpot with pillowy soft lips and a look just this side of "aw shucks." Sasha and Erik exact their revenge through sex, revenge everyone takes as seriously as you can do with big smiles. With soft summer afternoon lighting bathing these spectacular specimens, the trio sets off to complete the conquest. Erik is the first to suck, naturally on Federico's throbbing dick. It's a giant piece, and instead of trying to overcome it, Erik plays with it, starting the sex off with just the right casual dreamy note. Federico, proving his full-out star status, takes Sasha's dick for his own. With his attentions given to sucking Sasha, he still manages this very difficult (he's flat on a table) upward thrusting hip motion to tease Erik. Federico cums, and Sasha and Erik take him over to a patio for more. They stand there while he alternates sucking them. Federico gets a good long time to prove his lust and then both guys park cum-shots on his cheek. In a farmhouse nearby, four guys are upset over a sick horse. Pietro Cattani is the veterinarian and the other three are just plain lucky to be there at the right time. This is a most interesting quartet. Two guys are slightly older, with graying hair and hairy bodies, Pietro Cattani and Antonio Armani. Number three is the very American looking Antal Gellen (a virtual double for American porn star Doug Jeffries) with tinted blond short hair and a goatee. The fourth, and this is huge personal bias, is the unequaled Slava Petrovich from MOSCOW, THE POWER OF SUBMISSION. Here he gets to relax a bit and show off more of his personality, which in this case is quite adorable. Those big doleful eyes sit just inches away from a sly grin, one that sticks throughout his very tender kissing session with Antonio. They are full of big lusty tongues and tentative touching. The pairs actually create a nice sense of opposites, which ultimately come together later in the scene in a show of combined perfection. Slava has the first blowjob of the scene performed on him, and like Sasha in the last scene, the main character is actually the character, not the dick. It's a humdinger of a long one, but his body and face are much more the focus. Turns out that Antonio is quite a good performer, holding his own not only as Slava splashes on his face after a good workout. Sucking Slava's dick turns into Antonio eating his very full ripe grinding ass, which is almost too much beauty to bear. I likened this part of the scene to the really hot guy you see on the street and have to turn away from, for reason's you can't quite figure out. The scene's biggest cock belongs to Antal, and Pietro does a whiz-bang job of treating it kindly. As Antonio slides a few fingers into Slava's ass, the scene goes back to the unfinished trio from the first scene. With the sun causing all their oiled muscles to dance, Sasha finally gets to use his mouth on Federico as Erik eats on. Sasha is fantastic, with his handsome face and hair bobbing greedily around on Federico. Soon enough, Sasha bends over to get fucked by Erik. Wasting no time, and playing with the order of scene set-up, director Kazan sends in the big guns by having Federico immediately throw a screw into Erik at the same time. In glorious harmony, the three churn to their low growling moans and the production's calming classical soundtrack, with balls slapping in time. Tease! We get shuttled back to the quartet. Slava plays top here, bounding into Antonio with the force of a hurricane, body turned just right to show off for the camera. His dick slides into Antonio's open ass with easy agility, and Slava acts the heck out of it, tossing his head all over the place in true ecstasy. The camera is clever in shooting a lot of footage underneath, which makes sure to capture his grand ass as well as the very admirable one on Antonio. The shot slowly pans out to catch Antal bottoming for Pietro. Pietro is majorly goaded on by watching Slava, who rattles off a large dripping shot to get an even better one from Antonio. With the same speed in which we switched from them, we are tossed lovingly back to the three in the glen. The sun is now ebbing, but Erik is still at work pounding away at Sasha. On a bale of hay, both Sasha and Erik earn their reputations, though Erik is the quiet hero of the scene at this point. He looks good from every angle and fucks winningly with his butt and abs. Sasha takes his now-vociferous speed with heaps of elegance and manages to cum without even touching himself. Federico, sitting on a tractor and looking like the inspiration for a painting, finishes himself and then Erik steals the end of their work by popping out the best cum-shot of the trio. We're done with the above guys, and now it's time to complete the quest of the quartet. Get a load of this opening shot: Antal rimming Slava, who is fucking Pietro, who is rimming Antonio. Or get a load of just the first part: Antal rimming Slava. Slava doesn't miss a beat with the tongue in his ass (or his cheeks pulled wide apart) and Antal keeps up with his thrusts. Of course, Pietro is in heaven getting forcefully pummeled by the ceaseless Slava. As the camera has picked Slava as its centerpiece, so do the guys themselves. It's not hard to notice the other three watching him intently as their leader. His muscular butt and thighs never getting tired, he takes care of Pietro and then has more left in him for Antonio again. In the end, Antonio is the cum-rag for the other three, with Slava neatly parking one on his face, but Pietro getting in the last word with the biggest one. In the following scene, Federico looks out his window and sees shaved-headed clear-eyed Christiano Stefani and Middle Eastern-tinged dark Milton Abdalla in the field. Christiano steps off his horse, rips Milton from his tractor and gets busy. Milton's body defines the world chiseled, with muscles pouring out from all over the place, V-shaped with what seems to be a 20-inch waist. Christiano bucks tradition and goes right for Milton's molded hairless butt. After Christiano spends a split-second of time fingering Milton, he blows him with a very spirited little suck. Tons of oomph, Christiano is full of little jabbing movements. Milton, enjoying the blowjob immensely, tightens his muscles over and over so we can see all of them work. He parks a wild white plop on Christiano's shoulder, but of course the scene is far from over. Instead, Milton picks up where Christiano left off speed-wise, bucking his bottom with similar cute thrusts. Following in theme, Milton is all ass as he pummels Christiano, the two making an almost impossibly beautiful pair. There is a wonderful angle from behind Milton where you can see him working so hard, and at the same time noting Christiano's more unsung butt taking it all stylishly. In the middle of all this, Milton cums again, just above Christiano's hole. Milton then goes BACK to fucking Christiano, this time missionary-style. It's in fact better for them, with Milton digging in very deeply, and with even more speed. All six of the packs on his stomach make his third shot as massive as it is. Watch them dance! Finally, Federico gets his Vilem. Federico climbs up the stairs late one night and sees the tall movie-star handsome Vilem washing himself with a small cloth. The lighting here is superb. It seems like only moonlight is cascading through the window, which of course is exactly the right touch for this passionate ending. Federico watches Vilem for a while, and proving that I'm not the only one who has trouble beholding beauty by shying away from his subject, although once Vilem catches sight of him, they lock big eyes and don't let them go for the rest of the scene. Federico saunters over to replace the washcloth, and of course Vilem thrusts a hand up those teeny tiny short-shorts to grab the meaty ass he saw walking away from him at the beginning of the story. Federico all but buckles to the touch and drops to his knees to supply a blowjob. The beginning of their hardcore action is the finest moment of the entire flick. Federico, faced with the enormous schlong on Vilem, grabs onto it and hunkers down for a suck. His lust turns into greed, as he becomes quite cock-mad. His ardor has increased tenfold from the first scene (where it was pretty darn high), and this is even with the actual sucking taking a backseat to the way he simply looks at the cock and at Vilem. His eyes spend equal time on both. Watch for the moment where he grabs onto the dick hungrily with both hands, like it's going to slip away from him. Vilem cums on Federico's big chest, right under the necklace that makes Federico's big neck look even bigger. Vilem turns out to be an even better blowjobber technically. He doesn't get as much time though, so they can move to the bed and complete their copulation. Vilem gets on the bed and Federico climbs aboard his dick. With Vilem's cock staying parked in one position in his butt, Federico arches his back for much of the fuck, to show off his muscles there as well, but Vilem is the one who never really catches the seething excitement. He gets a little better when he fucks Federico on his side, but it's still the bottom who controls the scene, and the camera time. Federico cums while being fucked and Vilem sprays out all over the place right before the camera fades for the final time. OUT IN TUSCANY is so crammed with tiny details worth noting, I wasn't sure what to put in and what to leave out. Each of these guys is headliner material, so they all need worthy descriptions and just about everyone performs way past the time where mere mortals would get tired and bored. Perhaps it's the robust countryside or the sunshine that lasts through the final scene at night that keeps them so involved. Perhaps it's each other. With guys like Slava and Federico, I can't imagine anyone not wanting to keep it going forever. But, stars though they may be, all the guys of the production submit to the direction of Lucas Kazan as the true hero here. As usual, it's his vision and soft languid sell that makes the story the gem is becomes". Rating: *** Highly, Highly Recommended *** Review 2 Review 3 |
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